Sheilah Wilson has work in an exhibition at the Albuquerque Balloon Museum entitled "Cluster Balloons: from Lawn Chairs to Cosmic Rays". September 23 - August 2011
Her work will also be included in the Ohio Art League Annual Juried show October 8 - November 7 and 'Time Sensitive' at the OSU Urban Arts Spaces, late October - January 29, 2011.
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Tommy White had a publication launch, Sept 26th at Harris Lieberman Gallery, of the first edition of - TOMMY WHITE -96 pages, perfect bound, edited & designed by Paul Wagner, poetry by Howard Altmann
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Micaela deVivero has an exhibition "There is Always a Glass Full of Sky to Soar" at the Urban Institute for Contemporary Art in Grand Rapids Michigan as part of the ArtPrize 2010 exhibition. Sept 22nd-Nov 20th.
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Tommy White had a review of his exhibition at the Harris Lieberman Gallery in the Sept 24th issue of The New Yorker magazine.
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Tommy White has a solo exhibition of his paintings and sculpture at the the Harris Lieberman Gallery in New York City, August 31st through October 2nd.
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Ron Abram was Artist in Residence at Flying Horse Editions in Orlando, FL from July 19 - August 13. The residency was
sponsored by a Denison University Research Foundation grant.
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Carrie Olson had a review of her recent solo exhibition at CUE Gallery in NYC in Art Papers, May/June 2010 issue - by Courtney
Baker, review and photographs on p57-58.
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The Land Surveyors - Christian Faur, Director of Collaborative Technologies for the Fine Arts, had a solo exhibition of his work at the Kim Foster Gallery in New York City, June 17 - July 17, 2010.
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Stanley Wrzyszczynski’s work was featured in an exhibition at the Argyle Fine Art Gallery in Newark, OH. The show opened on May 28th. Stanley is a sculpture artist and the Sculpture/Ceramics Technician for the Studio Art Program at Denison.
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Junctions - Micaela Vivero had an exhibition of her work at the Art Access Gallery in Bexley, OH from May 4- May 31, 2010.
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Sheilah Wilson exhibited her work at the Denison
Museum at Burke Hall, April 16-May 16, 2010.
"In
the process of being the medium for 'You
are My Favorite Photograph' I have developed a ritual of collecting written
memories from people of their favorite images. I then proceed to sleep on photo
paper and the written description, waking in the morning and moving the paper
from under the sheet to a light tight container. These documents are then
developed, revealing various degrees of light that touched the photo paper over
the course of a night. The wrinkles and creases are part of the work, as well
as the variations in black and white, which occur from night to night. It
becomes impossible not to search for forms and reasons for the random imprint
of body and light on paper. The work is presented as a grid, unframed, so that
the viewer can see the marks of the body.
I am drawn to photography's changeable relationship to documentation of fact, as it mimics our own desire and disillusionment in the quest for tangible and real experience. I am particularly interested in the absurdity, belief and intensity that yielded these early photographs. Photography became the evidential seam between the worlds, the body was the form through which the energy passed. The marks or traces that are left are an imprint of the desire of notstalgia. "
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Ron
Abram's work was in three edition portfolio/exhibitions
for the SGC International
Conference in Philadelphia, PA held
in conjunction with PhilaGrafika 2010, March 2010:
Transforming Technology portfolio/exhibition curated by Ryan Parker, University
of the
Arts; Feral Prints portfolio/exhibition curated by Jason Scuilla, Tyler School
of Art of
Temple University and Songs in Reverse: 10 Prints by Eight Gay Men
portfolio/exhibition
curated by Abram at Crane Arts Building. March 2010.
Abram collaborated on the set design with Director April Olt for the production
of
Mauritius by Theresa Rebeck, Curtain
Players Theatre, Galena Ohio, May - June 2010.
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Carrie Olson exhibited her work
in a solo show at CUE Art Foundation in New York City January 22 through
March 13, 2010.
One of CUE’s most singular qualities is
its pluralistic process. Solo exhibition artists are chosen by curators from
across the country. These curators are selected by CUE’s rotating Curatorial
Advisory Council. Resident artists are selected by a rotating panel of former
studio residents. By including many voices in the selection process, CUE
ensures that we provide a platform for a diverse range of voices and
viewpoints.
For information on the exhibit and the
artist go to -
http://www.cueartfoundation.org/carrie-olson.html
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Micaela
de Vivero presented
her exhibition “nodes”, at The
Ceres Gallery in New York City, March 2 - 27.
For more information go to -

