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Dance

Senior Research Projects

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Class of 2006

"Eyes, Ears and Mouths Open"
Jennifer Guglielmi

This Honor's choreographic research project culminated in an evening length work that was presented on March 24-25, 2006. This contemporary dance work, exploring the lives of teenage girls through popular culture, was performed by six students and utilized spoken text taken from books by Judy Bloome, music by Alanis Morrisette and popular films Clueless, and 10 Things I Hate About You. The movement and text inspired by these sources provides an avenue for isolating, revealing and magnifying the issues of adolescence and offer new interpretations of that, which is already familiar.

"Culture Shock!: Teaching Ethnic-Based Dance Forms in the Granville Intermediate After School Program"
Abeje Maolud-Sneed

In this day and age, because fewer dance forms are being supported in communities, it is imperative that the community takes personal responsibility to share with students our burning passions about certain cultural aspects, and knowledge of diverse art forms. In an increasingly global society, it is of great importance that youth be educated and exposed to cultures and experiences beyond their immediate ones. The purpose of my project is to offer dance classes of ethnic-based dance forms in an after-school program of a homogeneous community with the hopes of making an impact on the students' interests in a culture other than their own.

Class of 2005

"A Woman's Place: Women and their Roles in Society"
Anusha Jogi

In this project I investigated the roles that women play in society using the medium of contemporary dance. I used improvisation as the main medium of choreography for this process. The project culminated in the live production of the concerts "What more could we ask to be?" in the Doane Dance Performance Space on March 4th and 5th, 2005. This paper provides a reflection on the process of production, including the choreography of "Symbiosis" and my Young Scholars Summer Research Project "The Artists' Canvas: Women and their Roles in Society." These resources allow the reader to view the DVD of "What more could we ask to be?" from an informed platform.

"Conditioning the Iliopsoas Muscles and Its Effects on Leg Extension Height"
Jennifer Baker

I have always been interested in exercises to improve my flexibility and strength. Although leg extension height is not important in all types of dance, it was very important in my success as a rhythmic gymnast and ballet dancer. This research was to find out if it was possible to lengthen and straighten the iliopsoas muscle through various exercises and thus increase leg extension height.

Class of 2004

"Waves Of Motion: The Contribution of Creative Movement in the Education of Hearing Impaired Children"
Megan Cherry '04

Dance is not only created as an art form for presentation purposes, but it is also a form of physical activity that is active and imaginative. Most children are active and enjoy using their imagination. Children love to play and create make believe games. It is in their nature. But not all children are alike. The focus of my Senior Research looked at the opportunities for deaf children in the area of movement, dance and physical activity.

"A Touch Revolution: The Implications of Intimate Touch within Contact Improvisation"
Kerry Farrell '04

Contact Improvisation is a dance form that is usually experienced in a duet format, with two dancers who engage in constant bodily contact through a shared, ever-shifting contact point or surface with a partner. The movements are all improvised, using momentum and flow as a guide. The goal is to maintain bodily contact, continually supporting one another in movement. The focus is not on performance, but more about experiencing a dance with another person. My research explored the history of Contact Improvisation and then used a questionnaire to investigate the issues of peoples comfort levels with such public, intimate touch.

"And Everything Nice: The Process and The Result"
Cassandra Smith '04

In this research project my intent was to choreograph a dance performance that would tell stories and explore how people tell stories in their everyday lives. In its evolution, the project came to be no longer about storytelling, but rather was itself its own story. It is a story about eight women empowering themselves as individuals and as a group of women. The dancers were the characters of the story. It was a huge but invigorating project that included not only dance improvisation but also set design, costume design, lighting design, and music. I discovered a lot about the way I work, my capabilities and creativity, and the degree to which I rely on intuition along the way.

Class of 2003

"these Fragile, Fleeting things ... "
Jessamyn Schmidt '03

"these Fragile, Fleeting things" was a culmination of my Senior Choreographic Research Project during Fall 2002 semester, an investigation of the inter-workings of memory. I explored memory through improvised movement, investigations of cognitive and muscle memory, images, patterns, shapes, texts, conversations, and collaboration. These explorations informed the process of the creation of this piece.

I was successful in accomplishing the goals I set: to create a choreographic work exploring memory through movement. There is still much I have to learn about managing time for production aspects of a concert. I also hope to continue learning about how to more swiftly translate my choreographic ideas from my head into movement. Memory will always be complex. I hope to continue to explore memory through my movement in perhaps different ways than I did during this choreographic project. Hopefully my interest in memory and how it relates to movement will continue to propel me toward personal investigation, discovery, and creative work!

"Swimming in the Dark" -- A Collaborative Cross-Genre Performance Project: An Exploration of Original Performance Work, the Creative Process, and Theater as a Forum for Communication
Kori Rai Martodam '03

The focus of this project is an exploration of the creative process as a means of realizing oneself as an artist and recognizing the possibility of the creative process, product, and daily life simultaneously co-existing as art - (add this dash) the conscious arrangement of elements. This paper is also a discussion of learning, collaboration, and self-awareness as methods of experiencing and creating art in daily living. Relationships between collaborative art making, feminist critical pedagogy, feminist literature, Taoist literature, directing for the theatre, small group communication and reflection are also discussed.